Social commentary work comprising 3- photograph collage assemby, First Capital Connect carriage opposite bucket seat pattern repeated to either side of the Shell building facade; symbolising in visual synopsis daily commute into work, the working day itself and reverse commute home.
Unique edition, cibachrome on aluminum
31″ WX 19″ H
16″ H x 7″ W
Edition of 25 chromogenic prints on Ilford Pearl
“Art, for us, is not an end in itself … but is an opportunity for the true perception and criticism of the times we live in.” – Hugo Ball, father of DADA, Zurich 1916.