Work 961; Shoreditch Beautification Project / Olde Shoreditch

Shoreditch Beautification Project
Michael St. Mark 2017

Just around the corner from London Dada’s Galerie 691, the ubiquitous prettying-up and gentrification of the area continues apace in preparation for more developer jackboot march involving irreplaceable character destruction > soulless high-rise monolith mayhem

After Steve Jones, greatly missed early contributor to LD

Close-up of solidified history for the record


London Dada About / Archive / Invest
Quickview Flikr Archive from 2005 – 2017

*NEW Damien Hirst scandal – the more new material he presents & attempts to pass off as his own creation, the more obvious becomes, in its stead, a crude parroting of other artists’ work and thereby a profound paucity of personal creative talent, not to mention loose moral compass in terms of apparently not feeling even mildly responsible or aware of the lifelong psychological damage inflicted on many of his often highly gifted and sensitive artist victims, to whom he offers not a shred of acknowledgement, rather, instead, dismissive put-downs laced with obscenities.
Damien Hirst’s hook line & sinker plagiarism of London Dada artist Dingo’s 2008 unique conceptual Work Loggius Fishious Extraordinarious – is no less than the blatant and cynical theft of both title and the very concept that forms the essential basis upon which every exhibit in this shameless talentless fraud’s Venice show critically depends.

Dingo; not amused

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