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https://londondada.art/2018/12/
Frith Street Gallery / The blatant plagiarism of artist Fiona Tan
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https://londondada.art/2018/11/
Lest we Forget to Remember # Blair
Dada both is and was, essentially a war protest movement
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London Dada Work No 1000, “set the spots free “
Damien Hirst at Houghton Hall LD Infiltration.
https://londondada.art/2018/08/22/london-dada-work-1000-let-the-spots-be-free-free-art-from-limitation/
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World Cup 2018. Work No. 242, 5th Gen repost since 2006. June 2018
Plus Grenfell fire revisited – “The Buck Stops Here” collage
https://londondada.art/2018/06/18/world-cup-2018-work-no-242-england-football-fan-2006-5th-generation-re-post/__________________________________________________________________________________
The Emperor’s New Spots
Multi-image / text comments on Damien Hirst’s ingrained tendency to lift other artists’ ideas and pass them off as his own. He describes this unfortunate habit as ” a tribute “, conveniently forgetting the definition of the word by not naming his influences. “Common theft” would therefore of course be the accurate definition
https://londondada.art/2018/04/04/the-emperors-new-spots/__________________________________________________________________________________
World Cup 2018, England Football Fan, (concrete work), 5th Gen’ re-post
https://londondada.art/2018/06/18/world-cup-2018-work-no-242-england-football-fan-2006-5th-generation-re-post/__________________________________________________________________________________
Work No. 1002; ”Look closely -the Truth’s There Somewhere “(2019 )
Would people recognize the MSM’s agenda if it was staring them in the face?
https://londondada.art/2019/07/04/addendum-2019-work-no-1002-read-closely-the-truths-there-somewhere/
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From 2018; a metaphor-driven SP work; ” Full Circle / Cycles of Life”
https://londondada.art/2018/09/02/full-circle/__________________________________________________________________________________
Roaming the Galaxy II ( 2018 )
https://londondada.art/2017/12/22/roaming-the-galaxy-autumn-statements/__________________________________________________________________________________
Real Turner, Fake Art (2017)
Including London Dada’s 10-year-long campaign success in pressuring the Tate Gallery into finally ending its blatantly ageist Turner Prize under-50 rule
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LONDON DADA 