Work No. 859; “Font of Empty” – the Triumph of Capitalism over Altruism

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‘Font of Empty’ – The Triumph of Capitalism over Altruism
c. Michael St.Mark 2016

Found defunct Victorian public water fountain serving as a disposal shelf for empty drinks cans and paper coffee cups; exterior St.Pancras station London NW1

Built in the admirable spirit of community service, now an obsolete, forgotten, neglected and abused relic in an age of unashamed yet ultimately doomed individual pursuit of happiness, often at the expense of others, through material means.

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Dada is essentially the search for a new morality ” – Richard Huelsenbeck

London Dada Archive / Investments

LONDON DADA Work # 858; Rembrandt As He Was

Creating a mirror image of the classic Rembrandt Self-portrait with two circles, created C.1665 – 9 thus reversing the original image of the painting that the artist made using a mirror, an approximation is gained of how the artist actually appeared at the time.
Second in the series

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rembrandt photographic

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Two images of the original, unreversed paintings ( above)

Rembrandt Harmenszoon van Rijn
” As he was” FINAL EDITION ( mirror-reversed with a light finishing contrast & softening )

Mirror-reversal concept and image, copyright (c) Michael St.Mark 2016

Signed edition of 10 fine art prints available of this historically unique art concept work;
St.Mark@LondonDada.com

Related post;
REAL TURNER FAKE ART

London Dada Work No. 857: Van Gogh as He Was ( triptych )

First in a new “artists as they were” London Dada concept series depicting iconic artists of the previous centuries as close as is possible to how they appeared to others at the time, through creating mirror images of their self-portraits that were themselves all made using mirrors thus reversing back to close to how they appeared at the time of making the portrait.

Mirror images of three of Vincent Van Gogh’s famous self-portraits, reversing the original mirror images that the artist used to create the Works; the subtle difference thereby gained giving a fascinating new view of the artist that is as close as possible without the benefit of a photograph at time of sitting to his actual appearance and how others saw him at that time.
* Notes. Van Gogh severed his left ear; in the third of the triptych the bandaged ear is now on the correct side.

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Signed edition fine art Lightjet print details tf
Reproduction terms; contact press@londondada.com

Reproductions of the original Van Gogh self-portraits ( click to enlarge)

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Digitally processed version of Van Gogh as He Was.
Image rendered in filtered monochrome and softened to subdue Van Gogh’s staccato paint application and bring out a photographic feel to the image.

Artist advisory