Work No. 683; Christmas Costa Head

costa head
Christmas Costa Head
c. Michael St.Mark 2013

Context
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Future’s here now – thousands sitting alone in the ubiquitous identikit Costa, brains
swimming in CC’s very own Caffeineplus while pawing at mobile, tablet or lappy,
busy communicating with others far away.
A case of absence makes the sales grow stronger?

Data
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Signed edition of 25 lightjet prints on Kodak Pro Endura, 30″ x  26″
£350 ( unframed )

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LD Archive Works purchase information page

So you want VFX? London Dada Work 682


So you want VFX?
c. Michael St.Mark 2014

  ( Probably not suitable for epileptics )

Deliberately ‘ in your face ‘ commentary on the seemingly fixated quest by contemporary artists for new kinds of visual effects ( VFX ), abstract or otherwise surface pattern / colour detail, or as Duchamp described, ‘retinal’ expressions that generally aim at eliciting emotional responses of some kind from the viewer; eschewing the notion that art can and perhaps should also comment, criticize and enlighten on the complexities of life as it’s lived by present day societal groups. Such as in *Michael Dean’s admirable ‘ Poverty Line ‘ 2016 Turner Prize-nominated piece (links below); or perhaps supremely in Millet’s classic The Gleaners.

* https://londondada.art/2017/01/01/work-no-891v-raising-tate-britain-above-the-art-poverty-line/

“It’s not that visual effects ( VFX ), varied and ubiquitous as they are in almost all contemporary abstract and figurative art; are bad – it’s just that they fail to be completely good in the overall scheme of things when considering the meaning of value.”
– Michael St.Mark 2025

” It’s the duty of artists to dovetail their gift of sensitivity and perception and skill towards the benefit and education of mankind.” – László Moholy-Nagy

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London Dada fast-access web archive of Works for sale, 2005-2014  purchase information

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Work No 681; Unfinished Business at St.Martins

UB
Work No 681; Unfinished Business
 c. Michael St.Mark, December 20th 2013

Temporary found Work.
Partially completed office block, Kings Cross

A commercial mid-build at the point of exhibiting a compelling visual appeal
comprising a partially clad reinforced concrete beam support structure with
a few glass sealed units fitted, workers’ external cage stations and glimpses
of an interior concrete stairwell. A construction crane was still in situ.

With its subtle color and grid line combinations, the building pictured at that
stage possessed a quite profound semi-abstract appeal.
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A stone’s throw from Central St.Martins college of art, this interesting transient
construction phase outshone the self-important pompous pretension that
passes as art within that wealth-driven cronyism / nepotism ( friends, friends of friends or family )
-infested institution.

Links to London Dada Works ( unfinished business )

The Graduate

Dada at St.Martins

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Signed edition of 25 24MP quality lightjet prints on archival Ilford Pearl; 20″ x 16″
£350 ( unframed)

( See website for purchase / investment details)