The Gamble Meister ( Dedication’s what you need )
Michael St.Mark 2016
Sparsely-manned fruit machine enclave, M6 services, Stafford.
“Some things never cease to amaze”
London Dada Works Archive / Investment
Steep Learning
Michael St.Mark 2016
The older generation pedal hard getting up to speed with fast-moving digital technology.
John Lewis, Welwyn GC Herts
Related Post; Work 793; New Centurians ( Oct. 2015)
Gut of the Plagiarizer
c. Art Axis 2016
Backside connections of a sundry commercial laser copier in an office services shop window. Specialist in skull, butterfly, spots, medicine and human/animal anatomy polished copy enlargements
Vauxhall, London SW.
Midas Scrunch I & 2 ( diptych )
C. Art Axis 2017
Multi-stage digital image manipulation sequence of re-photos of bespoke-crumpled Sunday Times cover shot of Damien Hirst, December 2017. Backdrop ink grid pattern; Michael St.Mark
(“Scrunch art ” creative portrait adulteration technique developed by Michael St. Mark in 2007 ) *double click does the trick *
Hirst’s uber steal from London Dada’s 2008 concept work ” Log Fish ” … to his Venice show’s brazen plagiarism of a brickie talent ”
Here
https://londondada.art/2008/01/20/work_no_302_loggius_fishus_extraordinari3606353/
” F*k ’em all ” – Hirst’s Socratic brickie-refrain ( Well he can afford to – and does – run ’em all…. out of money through the courts – ed )
Charles Thomson, co-founder of the Stuckists, has compiled what is perhaps the most comprehensive examples, complete with intriguing historical background, of Hirst’s habitual plagiarism
” I steal all my ideas from other artists ” – Damien Hirst
LONDON DADA 