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About Michael St.Mark

Conceptual / experimental multi-discipline artist, writer and photographer. Art influencer and founder of London Dada, recalling Dada's original aims and principles as envisaged by it's founder Hugo Ball. Eschews the often politically-motivated taboo on expressions of critical thought within art. Admiring Duchamp in going beyond the seemingly endless infatuation with the ' pretty picture' retinal and instead refusing to accept the standards and practices of an established corrupt art world and creatively stifling conventions that are still considered essential to attain fame and financial success: refusing to repeat himself or to develop one recognizable style to placate the commercial needs of the market.

Work No 835; Forest Fire

forestfire dingo
Forest Fire
Dingo, 2016

 

This evening’s unusually firey sunset refracted through woodland.
A1, Welwyn Herts.
( unprocessed image  )

Artist Dingo; ” Seeing/Putting the Extra in the Ordinary ” TM
Creating a genre since 2005

Signed edition print investment details tf

London Dada Work No. 832; The Blackest Black

Anish_Kapoor_at_the_Deutsche_Guggenheim_-_BerlinThe Blackest Black / Homage to Anish Kapoor
Art Axis 2016

 

Unique multi-stage digital manipulation / dark pixelation of original photograph.
Available in a signed edition of 25 fine art Lightjet prints on Ilford Pearl

Archive / Invest

 

Anish_Kapoor_at_the_Deutsche_Guggenheim_-_Berlin-001

 

 

 

 

 

 

Image source

artnet-logo_sbp
Reported today in  Artnet news, the artist Anish Kapoor gains worldwide rights to use the newly developed ” Blackest Black” pigment. Morally justified?
Kapoor’s decision to withhold the material from fellow artists has sparked outrage across the international artists community.
Does he care? Do dogs meeow?

Links to Work 11 from 2005 & Work 620 ” Turning the Outside In” from 2012