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About Michael St.Mark

Conceptual / experimental multi-discipline artist, writer and photographer. Art influencer and founder of London Dada, recalling Dada's original aims and principles as envisaged by it's founder Hugo Ball. Eschews the often politically-motivated taboo on expressions of critical thought within art. Admiring Duchamp in going beyond the seemingly endless infatuation with the ' pretty picture' retinal and instead refusing to accept the standards and practices of an established corrupt art world and creatively stifling conventions that are still considered essential to attain fame and financial success: refusing to repeat himself or to develop one recognizable style to placate the commercial needs of the market.

Work 406. He Who Has Seen the Light / Those who play with Fire.


He Who Has Seen the Light – the “chargeman” of Ahmednagar, India.
c. Michael St. Mark 2010

” The man of God is a treasure in a ruin “
– Shams-e-Tabriz

Today my condition is different
 Tomorrow my clothes are different
 Today my words are different
 Tomorrow my behaviour is different. “

description of a rare Jalali / Jamali ( half-firey half-passive personality) mast, or God-intoxicated soul.
   by Meher Baba.

Work No. 404; Dada Time Machine

dada time machine
Dada Time Machine.
c. Michael St.Mark 2010

For  everyone ( probably everyone) who has experienced the “bus stop blues” and spent time kicking about, languishing, within some drab old bus shelter for any length of time, especially on a cold wet day, there is a definite subjective experience of time seeming to s l o w r i g h t d o w n t o a  c  r    a      w        l.
Interestingly, if one consciously decides to conduct a Dada experiment by replacing intense irritability at being delayed in ones self-important busy daily round, trapped inside an odorous tin and glass box at the roadside… by in its stead positively embracing the experience, then one can turn the situation around to counter the equally frustrating common feeling that life is rushing and passing one by too rapidly.
The artist is therefore suggesting through this work, that we challenge insane society’s tyrannical time-rush imposition upon us, by spending at least half a day of our lives deliberately loitering in various bus shelters or train stations ….and relish a Dadaistically timeless experience.

M. St.M

UPDATE; Jan 2015; to co-incide with MK Gallery’s ” How to Construct a Time Machine” exhibition.
Conceptual concrete version of this work to take the form of a full size replica or actual shelter of the design featured in the photograph, with a small monitor fixed in one top corner showing a 10 minute looped video of random passing traffic, shot from a roadside stance, and its accompanying stereo audio played through two loudspeakers mounted onto the inside shelter roof. Visitors are invited to stand inside the shelter for 10 minutes and concentrate on the video and sounds for the duration, that subjectively will feel more like 20 minutes has elapsed.

time flies….
time crawls…..
like an insect……
up and down the walls,

THE LIGHT,
POURS OUT OF ME

Howard Devoto / Magazine