LONDON DADA Work 1000; Set the Spots Free, Free Art from its Sterile Straightjacket

Last in the Damien Hirst at Houghton Hall Dada Infiltration mini series

”  Who let the spots out ”


Let the spots be Free  /  Free Art from Limitation
© Art Axis 2018

Direct action Work

Multicolored paper spots 1cm dia scattered in front of one of many Damien Hirst spot paintings hung in Houghton Hall, Norfolk earlier this year.

Links to the three  previous Damien Hirst at Houghton Hall photo Works posted to our Flikr archive resource.

The Hats Make the Couple
Free Art from its Dark Prison
Highlight of the Show

Links in principle to London Dada protest Happening Tate Modern Transition from 2016

The artist expands awareness and when the breakthrough is made, this becomes part of the general awareness ” -William S. Burroughs

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*Addendum 2019; English artist Stuart Semple uses the LD floor spot protest concept in his admirable expose of Anish Kapoor’s mean-minded refusal to share his “blackest black” Vantablack paint with other artists.

CaptureStuartSempleblackhole

 

YouTube link here

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Links to Damien Hirst‘s blatant plagiarism of London Dada;s ” Log Fish – An Unbelievable treasure from the Deep ” for his cynical 2017 Venice show ” Treasures from the wreck of the unbelievable “

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  • Where do the spots go from here?  ( published 04 / 09/ 2018 )The boy Hirst exhausted his regimented spots way back, then this year at Houghton Hall he exhibited them loosened and slightly overlapping..
    Also at HH were London Dada’s spots, freed from their 2D world and out, but static, on the floor.
    So artist Michael St.Mark proposes a giant see-thru perspex container to occupy Tate Modern’s Turbine Hall, over which visitors cross on suspended walkways, underneath which, near the floor, are a bank of industrial AC fans that set  hundreds of thousands of mono or multicoloured wafer-thin environmentally- friendly plastic or paper spots in a perpetual swirling snowstorm within the container.
    Alternatively, and probably logistically more straightforward, would be to fit the Hall with a  grid-like network or challenging maze of large ( c. 7 -8ft ) diameter tubes, through which the spots are blown and circulated – and of course also through which visitors walk. A marvellous and guaranteed crowd-pulling visually immersive spectacle and experience – and at last the spots are airborne en masse and literally surrounding the public, thus finally democratising them – and the idea herewith given to Maria Balshaw for safe keeping.

London Dada Work No. 959; tHIRST II – portrait of a creatively dehydrated artist


tHIRST II
( Portrait of a creatively dehydrated artist )
Art Axis 2017

Discarded flattened fast food drinks container lid with straw languishing on a tradesman’s’ entrance back alley access road, High Barnet
(Double click on the image for full resolution)
Signed print edition availability details tf

Second in the series, timed to coincide with Damien Hirst’s latest exercise in organized cynical plagiarism passing for an art show, titled ” Treasures From the Wreck of the Unbelievable”, unique concept for which he lifted hook line & sinker from London Dada artist Dingo’s 2008 WorkLoggus Fishious Extraordinarious; an Unbelievable Treasure from the Deep “

Links to tHIRST 1

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LD Archive / Invest
FastView Flikr archive 2005 – 2017

Banksy Unmasked for Real

Preface
London Dada’s objective in bringing the graffiti artist Banksy’s true appearance and identity to public attention lies in our belief that the art world would be a much healthier and just environment for all artists to operate successfully if such an honest and plain-speaking force for good that Banksy undoubtedly is, abandoned his now slightly tedious anonymity, screwed-up his courage, stepped out of the shadows and into the limelight to take his enlightened messages into the mainstream media interview and public appearance arena.
– Michael St.Mark
London, February 2019

Banksy spotted in Spitalfields, August 2014.  Rob Gunningham caught short, photographing what was probably intended to have been another addition to his collection of assorted street graffiti images, ( alongside a bulging scrap book of other artist’s torn cartoon pages it looks like; all for consideration to integrate into future Banksy works ** ).

Comparing Rob’s height with the old trade door and almost certainly the obscuring nearby (getaway) car in the image ( Stanmore plate ) , we estimate Banksy to come in at around the 6ft mark – maybe 6ft 1″ – 6′ 2″ in New Balance trainers.
He’s certainly a tall guy.

Context
August 3rd 2014, Wilkes Street London E1.  An early Sunday morning chance encounter with two men, both noticeably avoiding attention in this deserted street, turning their backs as they were approached by London Dada’s Art Axis.

The tall silver-haired one who had bent forward, away from the approaching Art Axis, to attend a pro camera setup and apparently procuring photos of Dale Marshall-like graffiti and sundry adulterated posters adorning a dilapidated commercial twin door; on a signal from his assistant on the opposite side of the street at the sight of AA’s camera, stood, turned and stepped quickly out, placing one leg in front of the parked blue Peugeot hatchback, covering the full registration number on the plate.

On viewing the total of 4 images we captured of this individual and his shady ducking & diving assistant / minder, it became clear by the identical features and proportions to those of the person reliably claimed to be *Robin Gunningham / Banksy by the Daily Mail in 2008 ( see below ) : that this indeed is Banksy himself.

In addition to the overall features in this picture both proportionally and specifically matching the famous Jamaican image of Gunningham from 2004, featured reversed in the Daily Mail in 2008, short moustache ( concealing a childhood lip surgery scar ) below a distinctive Punch & Judy chin, aquiline nose, high forehead with hairline interrupted by a widow’s peak, all being pretty much dead ringer giveaways.

Analysis

The dyed silver hair & blotchy white make up-powdered stubble smear being an obvious attempt at c. +25yrs age disguise. Who else on the planet would make this big an effort to mask their appearance, including probably a latex prosthetic sharp end nose piece when out in public working around street graffiti?

* If Robin Gunningham, ex public schoolboy from Bristol, for whom there’s pretty indisputable evidence of being a real person is not Banksy, then why is he not listed on any public records, the Electoral Register, nor come forward after seeing his name plastered all over the ‘net to make clear he’s not the man?

DSC03783-007

Click to enlarge The Real Banksy

(c) Art Axis / London Dada 2014

* Available in a signed limited edition of 10 only; we believe the only available late contemporary image of the world-famous street artist in the public domain.

Lightjet fine art prints onto Kodak Pro achival paper
22″ W x 16″ H ( unframed )
£850 ( unframed )

Enquiries; email sales@londondada.com

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“I had Banksy & his minder by the photo /video balls that morning – and, respecting their space, let the poor scared buggers go” – AA

Banksy in Jamaica, without his latex prosthetic sharper end nose piece.

  

 

………………………………………………………………………..                                                  royal

The subject of Banksy’s royal interest & post to his Twitter account.

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And to think; we all so wanted to believe Banksy is as originally creative and witty as he is a talented draughtsman. **sigh smiley**

#nomoreheroes

+ BANKSY SPY BOOTH direct influence /  copy from a 2008 London Dada work by Lisa Cummins

Update, 5/2/2018
Hull sighting of Banksy confirmed as genuine by London Dada
Downloads14-001

* click to enlarge – the same give-away profile features of very prominent aquiline nose, except again, as in the Jamaican images without the latex prosthetic sharp-end nose piece; darkened ginger ( ginger being his natural hair colour )  – ‘tashed thin-lipped mouth covering a childhood surgery scar and again the prominent and distinctive Punch & Judy chin. Also note the badly matching  2-part false beard disguise Banksy chooses to wear on this occasion in our enlarged screenshot from the recent video taken in Hull, looking more like a chin strap. Careful scrutiny ( double click ) of the enlargement shows the sideburn part of the disguise is pinned to his right earlobe, probably through a pre-existing piercing, whilst the lower part of the disguise is attached via a small pin ( see red pen highlighted loops in the super enlargement below, click to view. ) ( Art Axis spot; 6th February 2018 ).

Confirming beyond doubt these two pictures show the same man, and that man is Robin Gunningham aka Banksy.

UPDATE 2 Balloon Girl shredding stunt at Sotherbys, October 5th 2018

Banksy was said by some to be present in the audience filming the pre-arranged stunt.. and so were other folk, one of whom panned her Smartphone camera across the room, taking in a dozen heads along the way. London Dada’s Art Axis – who close-up’d Banksy in 2014 paused the video ( an online upload ) at the point where he recognized someone uncannily similar to Banksy face-wise with recent front teeth orthodontology; this time with hair cropped short, the obligatory moustache and giveaway prominent dimpled chin and aquiline nose, this time using the latex prosthetic end-nose piece . The gent was decked out in a business suit with white loose-necked shirt and sporting dark tortoiseshell-framed glasses, wih what appears to be a miniature spy camera attached to the right side keeper.
Cameraphone in hand, he’s obviously enjoying the proceedings…however he is filming with his smartphone in portrait mode whereas other video featured on his Instagram account of the auction was shot in the pro standard landscape format, suggesting the gym-fit assistant/minder he always works alongside for cover and security was filming the event for Banksy’s official Instagram account from close by in the auction room.


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Update 12/12/2018 ( still frame from Banksy’s ” Director’s cut and a Half ” video )
After further close analysis and cross-compares, we can say with 100% certainty that this individual, previously filmed elsewhere in the Sotheby’s auction room, is Banksy himself; finally, inadvertently, caught in close-up on his own video.

Irony of ironies !

© London Dada 2018

Reproduction terms; press@LondonDada.com

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.Link to the associated archive blog post

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Addendum
Crop of Banksy’s  loose-fitting and overlong jeans with trainers combo deportment style from our 2014 Spitalfields photograph with jeans folding down over the shoes ( below, left )
Compare with the same loose fitting combo style in the  known photo of Banksy by Steve Lazarides, bottom right.

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( Cropped & appropriated photograph )
* Original photo courtesy Steve Lazarides

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(On both these occasions below, Banksy is wearing his sharp nose-end latex prosthetic )

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About London Dada

RIP Lou Reed, integrity personified.

RIP Lou Reed 1942 – 2013

Artist of genuine integrity and talent who fearlessly portrayed the full spectrum of life around him and who relentlessly upheld core human values;  ‘telling it like it is’ regardless of career-limiting consequences

Dirty Boulevard” from the 1989 New York album

Give us your hungry, your tired, your poor; we’ll piss all over them
  That’s what the Tory/Lib Dem coalition say.

And who could blame anyone for wanting a perfect day, smack bang away from the madness?

Work 669; Valium Digitalis

valium digitalis
Valium Digitalis
c. Art Axis 2012

click to enlarge ..

CONTEXT
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Flash photograph of spot painting ” Valium” by Damien Hirst enhanced and broken down into pixelation through digital image manipulation, creating a distinct new appropriation work, the intention being to trend art away from its unhealthy monopolization by the big players with their cash cow artists, here making a Damien Hirst (appropriation) affordable to the public.
Latest in the London Dada Democratizing Art series.

DATA
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Signed edition of 25 giclee prints on Kodak Pro Endura, 32″ x 36″
£ 500 ( unframed )

For purchase details see website ( ‘purchase works’ link )

Work No. 668; Transparency; the first thing they claim – the last thing they want

Transparency, the first thing they claim
Transparency;  the first thing they claim – the last thing they want.
c. Michael St.Mark 2013


*Topical with the current bungs-for-questions lobbying expose etc but also of course eminently consistent historically.

Context
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Digital manipulation photo overlay collage featuring the Houses of Parliament and a line up of pigs at trough.

Data
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Signed edition of 50 lightjet  prints on Kodak Pro Endura 30″ x 24″
£260 ( unframed )

* See website for print ordering info

Work 666; The Beast

666 the beast
The Beast
c. Michael St.Mark 2011

CONTEXT
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Found fallen Ash tree root complex in woodland, Barnet.

DATA
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Signed edition of 25 giclee prints 32 ” x 28″ on Ilford Pearl
£230 ( unframed)

COMMENT by M.St.M
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Although the eye may immediately “see”  the protruding head of some terrible beast, in actuality the object is obviously merely knarled, weathered, partly charred wood.  The “beast” lies within us and is projected or imputed by the mind onto the object.
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In similar fashion every day we project our hopes and fears onto external objects in the world, unconsciously judging strangers by how they look, even though in reality their actual character may bear no resemblance to our imaginings. Demonizing or worshiping impersonal forms or people are two extremes or sides of the same coin of delusion that are held dear by the ego ready to pronounce in judgement over others.
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In the case of the mythology behind 666, “the number of the beast”, there is no evidence to back up the many extreme claims made over the centuries;  indeed, to the contrary…


Phillips Stevens Jr., an anthropologist at the University at Buffalo, suggests that the association of “666” with disasters, evil, doomsday scenarios, and the devil are based on a “widespread misinterpretation” of Revelation 13.

Professor Stevens said:

“Like most superstitions, the avoidance of the numbers 13 and 666 are examples of magical thinking. People everywhere believe that things associated with other things, through actual contact or just some similarity, have causal relationships even over space and time. Things associated with good events or great people can bring good fortune; things associated with failure, disastrous events or evil people carry some of that negativity with them.”
He suggests that the “number of the beast” in Revelation 13 does not refer to Satan, but to one of many beasts mentioned in that passage”

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LD archive website