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About Michael St.Mark

Conceptual / experimental multi-discipline artist, writer and photographer. Art influencer and founder of London Dada, recalling Dada's original aims and principles as envisaged by it's founder Hugo Ball. Eschews the often politically-motivated taboo on expressions of critical thought within art. Admiring Duchamp in going beyond the seemingly endless infatuation with the ' pretty picture' retinal and instead refusing to accept the standards and practices of an established corrupt art world and creatively stifling conventions that are still considered essential to attain fame and financial success: refusing to repeat himself or to develop one recognizable style to placate the commercial needs of the market.

Work 250b Sixty Four Tombstones ( color adjust )

64 Tombstones adjust
Sixty Four Tombstones ( color adjust ), a New dAdA tribute to Andy Warhol.
c. 2006 Michael St.Mark
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Such a colorful character in life deserves a similar post-mortum celebration
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( Click through X2 to view the enlarged image ).
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( 1160KB digital composite collage)
Offered for sale as one signed 50 X 50cm photographic or silkscreen print.

For details of reproduction and royalty rights for the work, contact press@londondada.com

This, along with other London Dada Works represents a significant investment opportunity for the discerning art collector
Please see Intro ( Tags on right of page) & scroll for purchase opportunities of New Dadaists works displayed in 691.

 

Work 250; Sixty Four Tombstones

Tate Modern forum code AW3
64 Tombstones
Sixty Four Tombstones
( A Dada Tribute to Andy Warhol )
c. Michael St.Mark, 2006

( 1160KB digital composite collage) Click through twice for close-up.
To be offered for sale as one signed 50 X 50cm print.

For details of reproduction and royalty rights for the work, contact MstM.

This New Dada work would represent a significant investment opportunity for the discerning art collector.
Please see Intro ( Tags on right of page) & scroll for purchase opportunities of New Dadaists works displayed in 691.

NB; If you feel this is in poor taste, you’ve yet to research the high antics of the man himself, including having a hidden camera installed in the washroom of his NYC apartment to snap visiting celebrities’ obulations and nose-powderings.
You gotta admit, the boy had style

In any case salutations are surely due, for the sheer genius of someone who engineers his own artistic legend on the back of producing a silkscreen of 100 Campbell’s soup cans, in an appropriately ironic and Dadaistic manner.

MStM

warhol01
warhol ~One-Hundred-Cans-1962
One Hundred Cans
by Andy Warhol, 1962