The Elvis Everyday TM / Elvis Mirrored
Michael St.Mark 2016

Continuing with the second in the ground-breaking new London Dada series portraying the rich and famous past & present how they appear / appeared to themselves in their Everyday TM.

Elvis publicity photo from the 1950s, reversed & in a 4-stage digital manipulation sequence.

Origin photo
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Signed edition Chromaluxe aluminium fine art prints details tf

London Dada Archives / Investments

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( The term ” The Everyday”, now in common use – esp within the mainstream advertising sphere – was coined by Michael St.Mark in 2012 through Work No. 604: The Everyday )

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Levine Queen Mirrored
( As the Famous See Themselves 1 )
Michael St. Mark 2016

First in a ground-breaking London Dada series, portraying mirror images of the rich and famous past and present. A fascinating glimpse into their personal worlds – the subtle difference from the ubiquitous press photographs we’re all familiar with; to how they’re accustomed to seeing themselves in their Everyday mirrors.

Reversed digitally-manipulated and appropriated image derived from Chris Levine’s Time cover image of The Queen from 2012.

Taking the artist @chrislevine Chris Levine’s famous rendition of Queen Elizabeth II and reversing it in a mirror to give an impression of how her Majesty’s face would have familiarly appeared to her in the royal looking glass each day.
Part of the series ” How the famous see themselves, related to our other “Artists as they were” series; reversing images of old masters’ self-portraits in order to reveal a closer accuracy as to how they actually appeared to others in the day.

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Available shortly in a signed edition of x 25 Chromaluxe prints on aluminium
24 ” x 19″
( unframed )
£1580

Archives / Invest

Artist advisory

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The Cartoonist Alien-ated
Michael St.Mark 2016

Diptych of sequenced digital image manipulation of Peter Brookes, cartoonist with The Times newspaper. In response to his recent depiction of Jeremy Corbyn as ET

Image origins

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Acrylic and screenprints on hand torn archival paper 30cms x 30cms & 222cms x 22cms
Signed on recto; signed and dated with serial number on the reverse; accompanied by a Certificate of Authenticity with corresponding serial number, artist’s thumbprints.

Link to first in the series; Work 790 from 2015, How to Scrunch a Cartoonist