Monthly Archives: November 2006

LONDON DADA

Posted on by
Reply

DADA POSTER1391 cover-1
Welcome to 691, the 21stC. Dada online journal of the missing UK expression of the Dada movement – the foundation stone of all modern art.

Dedicated to re-aligning art back to its original class-less, pretentious-less roots outwith the establishment museum/gallery relics that the public blindly accept as defining what art is.

View the LD archive of Works for purchase/investment

Slideshow a small selection of London Dada works by various artists to date, on Flikr @
http://www.flickr.com/photos/newdada/

 

 

Work 264; The Lost Art of Communication ; Miranda Keeling

Posted on by
11

964624_f9cce00455_o
Lost Art of Communication
c. Michael St.Mark 2006
( This work for display on a PC monitor )

10 years on, the original London Dada concept imitated by anonymous Twitter troll “@puddingforbrains ”
( account quickly deleted )

plagiarising pudding for brains.. but noted and “explored further” by the BBC actor, writer and broadcaster Miranda Keeling;  http://mirandakeeling.com/handwriteyourtweet/

miranda keeling

Reply to MK . I wasn’t ” thinking about this back in 2006 ” – I invented the concept and now genre.

* 2025 UPDATE; Miranda now employs London Dada’s 2006 communication conceptual artwork idea on a regular basis on her Instagram channel; without crediting the original artist, whose idea now apparently works a treat for her channel views / book sales..
https://www.instagram.com/mirandakeeling/

https://londondada.art/2015/10/31/work-no-794-the-crippling-wait-20773225/

London Dada;  ” kickstARTing the 21st C. ”
Visiting creatives advisory

Work 263 – Combating Global Autumn.

Posted on by
2

Hoover2-001
Combating Global Autumn
c. Michael St.Mark 2005

Back in the days before the frequently banded-about term”Global Warming” was replaced with the more convenient, vague and easily defended ” Climate Change” by the media under instruction from IPCC climate scientists ; the image was procured not merely as a surreal juxtaposition of the domestic and the urban and a play on words, but as a prompt to look into the subject of impossibility and to demonstrate nations’ half-hearted efforts to control the planet’s climate and eco system by limiting CO2 emissions, into stark perspective.