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About Michael St.Mark

Conceptual / experimental multi-discipline artist, writer and photographer. Art influencer and founder of London Dada, recalling Dada's original aims and principles as envisaged by it's founder Hugo Ball. Eschews the often politically-motivated taboo on expressions of critical thought within art. Admiring Duchamp in going beyond the seemingly endless infatuation with the ' pretty picture' retinal and instead refusing to accept the standards and practices of an established corrupt art world and creatively stifling conventions that are still considered essential to attain fame and financial success: refusing to repeat himself or to develop one recognizable style to placate the commercial needs of the market.

work 370; A Newton Stewart Threesome

slurp n' burp
A Newton Stewart Threesome
c. Michael St.Mark 2009

The human eye really is remarkable in its often unconscious or semi-conscious awareness; for even with the camera lens pointed in the opposite direction- . into the reverse mirror glass; still, somehow I was clocked by two average Joes’ while at the same time eating an ice cream;  procuring a photo.
Amazing; truly amazing.

 

Something almost akin to the double slit experiment, where the photon somehow knows it is being watched and alters its behaviour accordingly

Work 369; Forest Genie

fg2
Forest Genie / After the Storm
c. Michael St.Mark 2009

 & four years on….peter-lik-phantom

Peter Lik’s Phantom  (2013 )

“The most expensive photo in history now clocks in at an impressive $6.5 million. The work of Australian landscape photographer Peter Lik, Phantom is a black-and-white shot of Arizona’s Antelope Canyon, a piercing beam of sunlight appearing like a ghostly figure in a cavernous space.” – Artnet

There seems to be little if no information  coming from the artist as to whether Phantom is an authenic photograph in terms of a real world real time event or whether the apparition in the photo was generated by artificial means such as a manually initiated sand-fall from above, smoke-generation, or indeed manufactured into a ghost-like shape through post-production image manipulation software such as PhotoShop.

*The photographer declined to reply on the matter when recently queried by London Dada’s Art Axis on Twitter social media.

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