Artnet Exposed, London Dada’s 13-year mission accomplished

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After 13 years of making not insubstantial inroads of overdue change into the flint-hard fear and conformity-ridden glass ceiling of the 100% money-driven pretentious, shallow and cronyism-infested art world; what more suitable triumphant note on which to end a still largely unrecognized chapter in art history than the closure of Dada’s formerly missing UK expression co-inciding with being blocked by the almighty Artnet on social media, simply for having the audacity to publicise home truths about international art market big name cash cow con artists such as Koons and Hirst.

Link to the story typifying Jeff Koon’s ( and others ) MO, just the latest in a long line of habitual plagiarism of other artists’ work, combined with a depressing personal paucity of creative originality, skill, talent or moral compass in at least tipping a name hat to the unrecognized artists behind much of their output.

London Dada; 2005 – 2018
( Works No. 01 to 1002 )

Michael St.Mark
Shoreditch, 13th May 2019

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Addendum.
Work to continue on this blog and London Dada websites in refining, upgrading and adding missing content from some earlier posts, whose loss was due to LD’s former blog platform blog.co.uk closing in 2014.
Artist ART AXIS to remain active in promoting existing LD content across social media for posterity and continue to conduct Banksy-style public awareness stunts London-wide through our Green Disc subsidiary co.

The 7 Tenets of Dada

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Legacy validation
The imperishable fruit of London Dada;

6191 photography collective
Carrying the torch for Hugo Ball’s vision through the medium of photography reoriented;
Art that expresses true perception and fearless criticism of the times we live in


Six ” creep & crawl ” Career Artists  ( locked in creative stasis by necessity )
© Michael St.Mark 2018

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Armistice Day 2018

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Michael St.Mark advocates returning legendary German artist Kurt Schwitters’ final creation, his Merz Wall – dubbed his ” life’s great work” – to its indisputably rightful place;  reintegrated into the Merz Barn that is still languishing vacant like a crown with its jewels long extracted, in Elterwater Cumbria.
Official KS Newsletter article here..

MERZ WALL RETURN St Mark

Work No. 986; Hopes and Dreams; The Human Condition VII

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the human condition 6
Hopes & Dreams; The Human Condition VII
Michael St.Mark 2017

 

Bay of Cannes, France S.
Latest in London Dada’s long-running series, ” the human condition ” now an established theme and popular subject matter within mainstream art

Fine art prints, signed edition of 20 on Fuji Crystal Archive
20″ X 15″
£450 ( unframed )
Invest

Links to THC 1 from 2005

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About London Dada
Quickview archive galleries on Flikr

Work No. 817; Rage Against the Machine 1 – ” Your call is held in a queue.. “

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Rage against the machine 1
RATM 1 – ” Your call is held in a queue and will be answered shortly; your call is … ”
Michael St.Mark 2016

 

N. Finchley, London
First in a new series ( does not condone vandalism )

Print edition & price details tf
London Dada archive / investments

London Dada Work No. 816; The Incredible Indifference of Strangers VII

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The unbelievable indifference of strangers VII
Incredible Indifference of Strangers VII
Michael St.Mark 2016

Latest in the long-running series exploring the intriguing variety of social masks worn by the individual during the course of an average day of interaction with others.
( family mask, friends’ mask ( a variety ), the at-work mask, the etc.. )

It could be argued that public transport and supermarkets are examples of places where we are in our raw element, vacant, in an impersonal indifferent space devoid of imposition or artificiality.