Dada in London work 555; Mervyn King Bank of England Credit Scrunch

eddie s
Mervyn Credit Scrunch
c. Michael St.Mark 2011

Another topical progressive Scrunch ArtTM sequence by M.St.M. ( apologies for the Eddie George clanger)

With the British economy apparently about to fall off a cliff, here’s fatcat mega jobsworth Mervyn King, govenor of the Bank of England,  passing the buck waxing lyrical about how Euro rescue now lies (sic) in the hands of the politicians.
( Well, that makes us pretty much doomed then.)

” The regulators around the world have said, and they still maintain this today, and I think they’re right, that for the major banks in the world, they have the ability to cope with this crisis …. it isn’t a threat to the banking system as a whole.”

—Mervyn King interview in 2007 before the banking system demonstrated its total inability to cope less than a year later

 

Dada in London work 554; Osborne Credit Scrunch

ocs
Osborne Credit Scrunch
c. Michael St.Mark 2011

 

Latest in the “Scrunch art”TM  series from M.St.M, depicting well-known personages’ image deconstruction.
The turn of ever-popular Chancellor George ‘oik’ Osborne, his natural mean banker-features becoming
progressively emphasised and his credit reduced during the three stage scrunch.

Available as a signed limited edition (of 20) giclee prints 14″ X 9″. POA
info@LondonDada.co.uk

( Click on the collage to enlarge )

* * * * * * * * * * * * * * * * * * * * *

Dada in London; work 553; Dada Gems of Autumn.

dscf4398
The Dada Gems of Autumn
c. Dingo / Michael St. Mark, Nov. 2011

(  Fallen Beech leaves from St.James Park, November 19th.
Selection by Dingo, assemblage and photography by M. St.M. )

Beauty in the ordinary, the trodden upon, the common, is  often overlooked and discounted
as irrelevant in art. One of the missions of London Dada is to establish aesthetic
beauty – from which ever such ‘extra ordinary’ source, as totally artistically relevant.

( click to enlarge the eye candy )* Large file size, updated 2016

Dadaist Dingo; ” Seeing/Putting the extra in the ordinary” TM

* * * * * * * * * * * * * * * * * * * *