London Dada Work No. 563; Winter Woodland Walkies – The Chase


Winter Woodland Walkies ( The Chase )
c. Dingo 2011

 

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( click on the enlargement.. to enlarge a mucky pups’ muddy woodland chase )

 

 

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New Dadaist Dingo” Seeing/Putting the Extra in the Ordinary” TM
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* Purport of the work; The common association, with most dog-owners, of mud on the parked-up car from the bumpy drive along the dirt track to the rural car park, as the dog(s) eagerly disembark for their country/woodland “walk” – that invevitably becomes an excited yelping chaotic run once off the lead and a squirrel or rabbit is sighted.
The mud by the sill of Dingo’s Rangy is carefully manipulated into outlines and gaps using twig ends to create imaginary canine forms in chase mode.

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Update, July 2014; Expose of artist Ali Banisadr’s painting ” The Chase”.
Mimicking the above Dada Work in the chaotic semi-abstract forms’ strong suggestion of animal movement.. and the direct title ” The Chase ” ; plagiarizer Banisadr adds color to create a painting then passed off as original and new.

The Chase
The Chase, by Ali Banisadr.

 

 

 

London Dada Work No. 541; Sedimentary dear Watson

“Sedimentary dear Watson”. ( Brick Work No. 5 )
c. Dingo 2011

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Dada artist Dingo in Michael St.Mark’s Infinitude III – the Digital / Pixel Mirror

18th -19th C. bricked wall, raised over time.
Baker Street NW1.

( click on the image to enlarge)

 

Brick past

Brick-making in the early 20th century

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London Dada fast-access archives 2005-2017

 

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Martin Creed

Three years on …. artist Martin Creed posing by his 2014 ” Work No. 1812″ Brick Wall, outside the Hayward gallery.
Part of his ” What’s the point of it? ” multi-installation exhibition

( Creed’s work ) ” is supported by such state art luminaries as Julian Bell and Stephen Deucher who commissioned the runners in the Tate Britain Duveen gallery, (Work number 850), so it’s all right then. The fact that it is facile, irrelevant and meaningless drivel is never to be considered. Why don’t these stata art acolytes worry about the contempt with which their decadent gestures are held by the populace who are paying for it without being asked? ”

An-Aesthetic, writing in Piece de Resistance blog

London Dada work 534; Hoxton sunrise ( Brickwork no 4 ) by Dingo

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Hoxton Sunrise ( Brickwork no. 4 )

c. Dingo 2011

( click on the image to expand )

Hoxton Sunrise, Brickwork no. 4

Product Description
19.5 x 23.4” upwards
Part of an edition of 3 worldwide.
Signed and numbered by the London Dada artist Dingo.
Giclee Art Print on Hahnemühle German Etching Textured paper 310gsm

Signed Limited edition of 3. Choice of ascending sizes.
£500, £850 & £1,295
Further details & to contact the artist; info@LondonDada.co.uk

An early investment opportunity in a trend-setting new art movement working towards the revitalisation and
restructuring of art itself through the exercise of fresh alternative perceptions and the expression of true values.

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London Dadaist Dingo