Author Archives: Michael St.Mark

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About Michael St.Mark

Conceptual / experimental multi-discipline artist, writer and photographer. Art influencer and founder of London Dada, recalling Dada's original aims and principles as envisaged by it's founder Hugo Ball. Eschews the often politically-motivated taboo on expressions of critical thought within art. Admiring Duchamp in going beyond the seemingly endless infatuation with the ' pretty picture' retinal and instead refusing to accept the standards and practices of an established corrupt art world and creatively stifling conventions that are still considered essential to attain fame and financial success: refusing to repeat himself or to develop one recognizable style to placate the commercial needs of the market.

London Dada Work No. 572; Androgynous Cafe Dreamer ( trapped )

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Androgynous Cafe Dreamer ( trapped )
 / They who have seen the light IX
c. Michael St.Mark 2012

 

( click through the chairs to enter her? world )

Available as a signed edition of 25 fine art giclee Lightjet prints on Hahnemühle Ultra Smooth 380gm paper;
17″ X 20″ print size + 2″ margins
£450 ( unframed )

info@ londondada.co.uk

  • Post updated 2018; reconstituted from blog.co.uk blogging platform, with an online community of thousands  taken offline with minimal file transfer support after 9 years of investment, by cyber vandal Luca Ascani ‘s “blog forever” Populis co.

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LONDON DADA

About / Sales archives
Flikr fastview photostream & album archives

 

 

London Dada work 571; Pictures at an Exhibition/The Large Glass II

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Hayward Gallery
Pictures at an Exhibition / The Large Glass II
( Million man ready-made)
Dada-appropriated public work in progress, Bermondsey.
c. by Dingo 2012


( To enlarge the gallery click on the image.)

large glass 560px-duchamp_glass
Marcel Duchamp’s Large Glass (progressive Dada work through 1915-1923 )

 

Lord Coe worries over " reputational damage" to London 2012..

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Infinitude II copyright infringement
Screenshot of Lord Coe,chairman of the Olympic Committee, appearing before the Parliamentary Select Committee today and under questioning from scourge of the Murdochs Tom Watson MP.
Time and again he voices concerns over “reputational damage” being done to the 2012 Olympic Games through logistical and ticket allocation shortcomings whilst all the while sporting (ptp) on his lapel a naughty piece of alleged plagiarism in the form of  the 2012 Olympic logo that may well be making him a secondary infringer of copyright.

If the double 1500m gold medal-winning Lord is worried about reputational damage to the summer Games, perhaps someone should advise of the potential litigation and adverse publicity shedloads of it limping about with him during office hours.

Kindly view the overwhelming evidence here:
(London artist claims Wolff Olins’ 2012 Olympic logo infringes the copyright of original 2006 work Infinitude II ).

http://www.OlympicLogoDispute.blog.co.uk