London Dada Work No. 586; A Mid-Spin Hirst in Davos

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DSCF5652Damien Hirst
Mid-Spin in Davos
c. Art Axis / Damien Hirst 2012

Digitally enhanced and edited screenshot from video of the creation of a spin painting by Damien Hirst at the Victor Pinchuk Foundation in Davos, Switzerland in 2011. A legal appropriation artwork is sourced during the spin process when the painting is still in a formative, unfinished state.

* Update 2013; Said video has been withdrawn from YouTube & no longer available in the public domain.

A revolutionary new way to collect works by famous artists.
A chance to own an affordable Damien Hirst-initiated artwork (mid-creation, appropriated )

Giclee print on Hahnemuhle Photorag archival paper, 36″ X 30″.  Edition of 10, choice of colour anodized aluminium frames – £ 960
For purchase details contact; St.Mark@londondada.com

London Dada sales / purchase procedure

Links to the event;

Damien Hirst Leading Spin Class at Davos

http://artforum.com/diary/id=22652
.. and which reminds us;

LD work 170; The Artist, the Collector and the Gallery
c. Michael St.Mark 2006

London Dada Work No. 585; Withdrawal Symptoms

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Withdrawal Symptoms / Cashpoint Blues ( accidental public artwork )
c. Michael St.Mark 2012

Random assorted public finger smear marks on glass cashpoint screen, Holborn London.

Available as a unique 12″X10″ (  screen-size) signed fine art Lightjet print on Illford Pearl archival. One worldwide.
Unique opportunity to invest in the only new radical and ethical art movement in the world today.
Purchase details; info@LondonDada.co.uk


Origin

First in a new LD series exploring unintended art produced by unconscious accumulations of  human interactions with the environment.

Links to Work 715 from 2014; Money is a Frantic Language

 

” Suddenly, the world has become the gallery” – Michael St.Mark, 2012

” New York has become my gallery ” – Banksy, quote from Banksy does New York / Better Out Than In residency, 2013

” Imitation is the lowest form of art” – Michael St.Mark 2014

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unconscious paintings Rob-and-Nick-Carter

* Update Feb 2015. Rob and Nicky Carter’s ” Unconscious Paintings” by an amazing co-incidence develop the same theme of accidental art created by unconscious human interactions. ( Released 3 months ( June 2012 ) after the above seminal London Dada Work, ( March 2012)… that was itself as far as we’ve researched the first artwork in history to employ the concept of unconscious art created through a process of accumulative unconscious physical human interactions over time.

* Update 2017; Turner Prize 2017 shortlisted artist Andrea Buttner’s entry;
“Smartphone glass finger smears” ( etchings from reversed photographs re-photographed / enlarged )

 

 


Withdrawal Symptoms Monochrome Reverse
(c) Michael St.Mark 2012

Selected crop of the original Work ( top page )

London Dada; reorienting art in the 21st C.

London Dada Work 584; Every Little Assistant Helps – ‘Homage’ to Damien

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Every Little Assistant Helps
Every Little Assistant Helps ( readymade ‘homage’ to Damien )
c. Art Axis 2012
£2.89 schoolkids’ wired notebook cover, from a well-known large supermarket retail outlet.
( One worldwide )  POA.
info@LondonDada.co.uk

spotthumb
From an original Hirst,  spot the difference

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UPDATE 2018; Hirst’s latest brave creative step – free up & overlap the spots a bit.

Spots freed

 

TURNER protest spots leaflet
London Dada’s 2016 Turner Prize protest leaflet + freed spots image, as featured online here

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Ever wondered where the world’s wealthiest artist gets his inspiration?
Take a peek at the creative source material and overall concept Hirst blatantly & shamelessly stole for his recent   ” Treasures from the Wreck of the Unbelievable ” show.

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“Everybody goes, did you actually paint them? I don’t know why that’s important in art.

“If you live in a Frank Gehry house, it’s not important to you that he laid the bricks.

“And I see myself more like a kind of architect in the way that I make things, than a painter, even if I’m making paintings.

– Damien Hirst, March 2018

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A new dilemma for Hirst is that with Treasures, he’s not even to be considered the architect, having stooped to stealing the original concept, title and even audio presentation mode of his Venetian show hook line and sinker from another artist… along with the familiar employing of skilled craftsmen forced beforehand to sign away any public claim to having made the objects in connection with DH.

So that leaves the world’s wealthiest artist defined as little better than a common thief – albeit with an impressive flair for business – yet in increasingly common knowledge, one virtually bereft of artistic talent or moral compass.
– M. St.M